Day With(out) Art 2026: seeds in a dying colony
< All Events
Where |
Main Museum
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When |
December 3, 5:00 - 8:00pm |
Where |
Main Museum
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|---|---|
When |
December 3, 5:00 - 8:00pm |
In honor of World AIDS Day, Palm Springs Art Museum is proud to join with over 150 museums, universities, art institutions, and community organizations across 27 countries in partnering with Visual AIDS for Day With(out) Art 2026, a day of mourning and action that uses art to respond to the ongoing HIV and AIDS crisis.
This year’s program, seeds in a dying colony, brings together four newly commissioned short videos by artists Edgar Hudson (Tanzania), Bruna Kury and Matheus Mello (Brazil/Spain), Sido Lansari (Morocco/France), and Micaela Cyrino (Brazil). Exploring the afterlives of colonialism and the ongoing HIV epidemic, the works examine how systems of power shape the body, memory, and experiences of care.
The artists were selected by a jury of filmmakers and mentored through the production process by Amil Shivji, Hiura Fernandes, Ésery Mondesir, and J Triangular.
In response to rising HIV cases and deaths, the program explores how cuts to international aid programs like USAID and PEPFAR expose the continued influence of U.S. and Western power over access to care and the lives most affected.
Join us from 5:00–8:00 p.m. inside the Lecture Hall on the 3rd Floor. Films will run on a loop throughout the evening.
Short Films
There is an Elephant in the Room
By Edgar Hudson
Mentor: Amil Shivji
A young person flees home after a life-altering discovery, carrying the weight of things that cannot be said out loud. He encounters an activist fighting to be heard and a care worker sustaining others through daily acts of survival. Through dance and movement, the film offers a quiet story of survival, exile, and return, asking what it takes to face the elephant that everyone knows is there.
Viral Borders: The Geopolitics of a Pandemic
By Bruna Kury and Matheus Mello
Mentor: Hiura Fernandes
A visual manifesto that transforms the HIV virus into a mirror of empire, where data, propaganda, and flesh collide. Through a frenetic digital collage, the film exposes the biopolitical machinery that controls the body and weaponizes borders against life itself.
Forevermore
By Sido Lansari
Mentor: Ésery Mondesir
Forevermore weaves together archival echoes, poetic fragments, and testimonies of Arab queer lives touched by HIV, spanning generations and geographies. Through the voices of the dead and the living, the film transforms silenced histories into a collective act of remembrance and resistance.
How to project your voice without causing an earthquake
By Micaela Cyrino
Mentor: J Triangular
Carolina lives alone in an apartment on the outskirts of São Paulo. Every morning she faces the city’s frenetic pace during the long commute from her home to work. In her thoughts, her grandmother’s wisdom always returns; in her headphones, it’s always the same rap. In her bag, she carries the book of recipes, baths, and blessings she inherited from her grandmother and the desire to end the day well.
IN PARTNERSHIP WITH
Visual AIDS is a New York based non-profit that utilizes art to fight AIDS by provoking dialogue, supporting HIV+ artists, and preserving a legacy, because AIDS is not over. visualaids.org
